Showing posts with label media. Show all posts
Showing posts with label media. Show all posts

Monday, June 14, 2010

Sarson ke khet sightings in popular culture

First a sarson ke khet sightings in pop media:



This is an ad(/public service announcement) for a serial on some TV channel known as "Star Gold". Note the sarson ke khet flowing in the breeze behind the girl - symbolizing her simplicity, purity and good old traditional Punjabi values! Note her longing but weary gaze at the airplane that brings her NRI groom and her passport to happiness! Note the airplane tearing the red wedding cloth into two, symbolizing the troubles ahead with obtaining that happiness passport! Too good!


And on a more political note, a sarson ke khet sighting in the news media, and on the Indo-Pak border no less! Or at least I'm assuming it's the Indo-Pak border (on which other border will you find sarsok ke khet leheraofying anyway?). Also note that the sarson ke khet seem to be on both sides of the border! I wonder on which side the mustard is greener (answer - NEITHER/BOTH)!


(TOI May 25th)

Monday, February 02, 2009

Another Tati comparison: Streetlights on an airport expressway

Following up on my previous comparison between London's Docklands/Canary Wharf and Tativille (the movie set for Jaques Tati's Playtime), here's another one between New Delhi and Tativille.

Delhi


Tativille/Paris


A new highway/expressway opened a year or two ago to get to the Delhi airport, and traveling on it one morning (not to the airport though) I realized that the streetlights remind me of the airport-to-Paris shot in Tati's Playtime. They both have that weird modernism-gone-slightly-and-coldly-haywire feeling, though the Tati streetlamps have a floral/organic quality, while the Delhi streetlamps seem to be Frank Lloyd Wright Broadacre-lite.

Dog Day Sholay



I put together this comparison many many moons ago, and thought I should add it to the blog. It's between the posters of Dog Day Afternoon and (a part of the poster of) Sholay. Both movies were released in 1975, and I love the similarities - always with slight differences - between Al Pachino and Amitabh Bachchan - the stance, shirt, sleeves, collars, gun, hair, face, "angry yound man" expression etc etc. Since they were both released in the same year, I suspect it's less a matter of ripping-off and more to do with the times!

Monday, January 05, 2009

Hindu housing

It ain't your hippie parent's Hinduism anymore. Or is it?



The internet ad above for a residential township outside Bangalore is quite amazing. Just check out how they're selling the project: "Divinity meets modernity" ... "Enlightened living" ... "an integrated township where ancient culture coexists with modern amenities"! Get your modern Hinduism on! But they never explicitly mention Hinduism even once. And the spaces are so modern and "secular". It's great!

Seriously though, the ad indicates the diverse and complex ways that Hinduism is being sold and promoted these days. The "International Vedic Village" is obviously aimed at Hindus, and so fits with the current trend of communally segregated real estate placements.

But visually the sales pitch has nothing overtly Hindu, or "traditional" for that matter. Instead it's visually very modern, and the "ancient culture" part is left to the individual imagination, to be filled in by residents as they in their infinite divine enlightened wisdom see fit. "Temples" and "meditation centers" are mentioned, but no indication is given as to what those spaces might look like.

Capitalism co-opts everything, including religion, but in very specific ways, and in this case the religiosity is toned down completely, but religion is still the central USP. It's really fascinating to ponder the specific clientele this ad is aimed at!

The ad below is from another blog, so I don't know exactly where it's from, but a similar toned-down, non-explicit Hindu sales pitch is used for a building that on the face of it has nothing different from the thousands of other residential projects being built throughout India. This would indicate that implicit in the advertising pitch is the notion that the residents of these projects will be exclusively Hindu, without explicitly mentioning that fact. Very interesting!